
Strike Anywhere collaborates with communities, schools, and organizations to create tailor-made performances that reflect each group’s spirit and spark connection.
CUSTOM SHOWS
CUSTOM SHOWS Strike Anywhere transforms your community, school, or organization’s stories into original, immersive performances. Through workshops, interviews, and on-site residencies, the ensemble gathers stories, dreams, hopes, and challenges directly from participants and reshapes them into songs, scenes, movement, costumes, and props that animate the lived experience of that group.
Past commissions include Tune on a Distant Hill (Chandler Center for the Arts), a portrait of life in central Vermont drawn from interviews and workshops with residents; Pliable Futures (Mov!ng Culture Projects & The Segal Center), a durational, site-specific performance confronting global plastic waste through music, movement, and a sculptural net made of the ensemble’s own six weeks of plastic trash; Des Souvenirs (Lycée Français de New York), a series of site-specific performances inspired by alumni stories in celebration of the school’s 90th anniversary; Riverhead (Two River Theater), a joyful performance marking the opening of a new theater building; The Weather Project (NACL Theatre) and Eating Our Way to Extinction (Globesity Festival), which engaged entire communities in tackling issues from climate change to overconsumption.
Each of these projects was built with deep community involvement at every stage. Strike Anywhere designs its process to maximize participation: from interviewing residents, activists, and scientists, to inviting local artists, schools, and organizations into the rehearsal room, to transforming lobbies into community art installations, and even leading town-hall conversations after performances. Whether that means 100 neighbors performing onstage in The Weather Project or audiences connecting with advocacy groups after Same River, these custom shows become catalysts for connection, dialogue, and action.
HOP ART DARTMOUTH COLLEGE (2022)
TUNE ON A DISTANT HILL Randolph, VT (2024)
SAME RIVER BUCKNELL UNIVERSITY (2013)
PLIABLE FUTURES Segal Center, NYC (2024)
Selected Works
Des Souvenirs (2025) Lycée Français de New York, NY, NY. A set of site-specific soundpaintings based on alumni stories celebrating LFNY’s 90th Anniversary.
Tune on a Distant Hill (2024) Chandler Center for the Arts, Randolph, VT. A love letter to Central Vermont. Based on local lore, performed with local residents.
Pliable Futures (2024) Prelude in the Parks Festival, Fort Greene Park, Brooklyn, NY. A processional performance highlighting global plastic pollution.
Catch Me In America (2017) Abingdon Theatre, NYC. A young immigrant’s journey to America - written by Amy E. Witting with 90 H.S. seniors.
The Weather Project (2015) - NACL Theatre, Highland Lake, NY. A community arts project on climate change.
Farce of Nature (2015) Jacqueline Kennedy Onassis High School, NYC. A modern legend investigating climate change.
The Bowie Project 2 “Space Oddity" “Changes” (2015) The Long Center - Austin, TX. A soundpainted mash-up of David Bowie’s music and musings.
SAME RIVER (2012) Irondale Center Brooklyn, NY. An interview-based show reflecting the region’s relationship to fracking.
Participant - Tune on a Distant Hill
“Being part of the show, was fun to learn a new way of expression. And to intermingle with professionals; in our small town.”
Ally Tifenkjan - Hopkins Center for the Arts at Dartmouth
“As a presenting venue, we don't always get to dig into the relationship between artists and the geographical/social realities of that place that they're coming to. This is a very special Ensemble and project.”






